Our dear friend the brilliant magician Luis Piedrahita recently told us about La biblioteca digital de ilusionismo (Digital Library of Illusion) – a fascinating digital resource for magicians and scholars. At the moment, this library offers access to 62 fully scanned volumes divided into categories: Card Magic, Mentalism, Prestidigitation, White Magic, Magic History, and Scientific Magic.

This database is a part of the Fundación Juan March that was founded in 1955 by Spanish Financier Juan March Ordinas. Based in Madrid, the institution is dedicated to science and the humanities, with a special emphasis on the arts. The Library of Illusion is a special collection meant to compliment the Spanish Library of Contemporary Music and Theater (as well as a massive collection from the library of Argentinean writer Julio Cortázar).

Of particular note, this database provides access to Spain’s first true magic book: Engaños a ojos vistos by Pablo Minguet Madrid, 1733; as well as many other titles, including J. Mieg’s comprehensive El brujo en sociedad Madrid, 1839. Readers will find texts in other languages, such as: Henri Decremps’s La magie blanche dévoilée Paris, 1789, and, a more recent title, Harlan Tarbell’s Crazy Stunts Minneapolis, 1929. There are a number of Spanish translations, in particular: Robert-Houdin’s French L’art de gagner a tous les jeux Paris, 1890 and Carlo Willman’s German Die Moderne Salon-Magie Valencia, 1897.

These digital books have been scanned at a high resolution so that each page looks as it would in real life. Unlike the physical volumes in a rare book room, these books require no special handling or reading stands, and can be flipped through rapidly and noisily. (A Flash animation provides this effect). They are also fully searchable.

The impetus for this project came with a donation from the library of Spanish magic historian José Puchol de Montís in 1988. With nearly 2,000 titles to draw from, we hope that this digital resource will continue to grow.

Gibecière

Our latest issue has arrived and is on its way to our subscribers! This issue completes the first dozen issues and marks the end of our 6th volume. Happy anniversary Gibecière!

As usual, we have a rich variety of contributions from a number of authors to make for some fascinating reading. In addition to some historical works, we even delve into a historical feud!

The first article is an intriguing look into the fascinating character Ishii Black by Mitsunobu Matsuyama in a continuation of his superb series of articles investigating magic in Japan. In addition to the look into Black’s life, we also have reproduced a series of articles that he contributed on Japanese magic, complete with commentary by Mr. Matsuyama.

The next series of articles are a present day look at what amounts to an historical feud! In our Summer 2009 issue, you will note that we offered a translation of Spain’s first magic book, Engaños a ojos vistas (Deceptions in Plain Sight) by Pablo Minguet è Yrol. Well, the book was not without controversy and one of Minguet’s contemporaries, Diego Joseph Zamorano, took him to task in Thesoro atractivo de curiosos… or Attractive treasury of curiosities…. Dr. Lori Pieper provides us with a translation of this interesting magical work and we are also treated to an introduction by Enrique Jimènez-Martinez and some present day commentary by Stephen Minch!

These are already being sent out to our members, so, if you want to get one, make sure that your membership is up to date. Also, if you are not a member, please join by going here. In addition to the journal we offer numerous other benefits, not the least of which is our searchable magic database Ask Alexander.

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This edition features three books in a slip case and everything is a marvel to behold. There is a facsimile of the original manuscript in old Italian, an analysis in modern Italian, and a summary and commentary in English. The books are beautiful, and there was definitely no expense spared in this sumptuous reprint. (Notice: this is not an English translation!)

Although everything is not translated into English, it is a remarkable work in both authorship and the physical presence of this new edition. Highly recommended to collectors, those interested in history, or anyone that can read Italian! It is very hard to get in the US, and we are lucky to be able to offer the few copies that we do have available.

Here is an article about the book and information concerning a possible English translation in the future: The Guardian

Order yours here!

Gibecière Vol. 5, No. 2

For our spectacular tenth issue, we hear from a familiar voice, welcome a celebrated new contributor, and unearth a centuries-old manuscript that turns the entire timeline of magic history on its ear.

First, Barry Wiley chronicles the remarkable Nellie Bly, considered the first female journalist, and her shrewd exposure of fraudulent supernatural performers in early 20th Century America.

Next we hear from the prolific Joshua Jay, who gives us a morbidly fascinating catalog of magicians who have met with tragic ends in the pursuit of their art.  Chung Ling Soo’s death is well-chronicled, but these magicians’ stories are equally (and just as eerily) compelling.

Finally, Conjuring Arts has uncovered a 17th Century Italian manuscript whose contents both shed light on and call into question the timeline of many well-known conjuring tricks.  Lori Pieper once again provides the English translation, and Stephen Minch and William Kalush give context and commentary.

Back issues of Gibecière are available in our Store.

A 3 year old girl walks across a tightrope stretched over an enclosure containing six Siberian tigers. When asked if she likes tightrope walking, she said, “Yes, because I started at a very young age”. Rumor has it that next year they will be featuring a 4 year old tightrope walker.

Learn more here and here.

My wife, Tina Lenert, and I were recently invited to perform at a magic festival in Badalona, Spain, a suburb of Barcelona. It was not a magic convention, but rather a festival geared to the lay community. We did three shows in a beautiful, hundred-year-old theater and the sold-out audiences were great.

Before leaving the States, I was told that this festival was honoring that great magician from the past – Chang. Upon hearing this, I was immediately transported back to age thirteen when I attended my first real magic show: Milt Larsen’s It’s Magic. The closing act was Chang – Latin America’s Greatest Magician.

I thought it a bit odd that a festival in Spain would be honoring a Panamanian illusionsit but that didn’t stop me from pulling a number of posters, programs and photographs out of Egyptian Hall Museum and carrying them with me to Spain. I thought I would surprise them with a nice display.

Every night after the show the entire cast enjoyed a huge dinner that never ended before 1:00 am. On the first night we were joined by Joan Maria Forns, the son of Chang. He was anxious to see what I had so I ran back to the theater to retrieve my treasures. Upon seeing the first photograph Joan said, “That’s not my father.”

Now it was my turn to be surprised.

To make a long story short: there were two Changs. The man that I saw in my youth was Juan José Pablo Jesorum and he was indeed born in Panama on December 2, 1889. Early in his career he used the name Li Ho Chang, later shortening it to simply Chang. He enjoyed a very long career that took him to Australia, China, Africa, India, Europe and America but his greatest success came in Central and South America where he lived and worked most of his life.

When I saw him in 1963 he was well past his prime at the age of 74. Being the first great illusionist I ever saw, my memories of him include gorgeous costumes, beautiful girls, well-trained assistants and huge illusions. Many years later, Milt Larsen told me the real behind-the-scenes story.

Milt had been instructed to meet the Great Chang at the bus station in downtown Los Angeles. There he encountered an old man carrying two battered suit-cases. Milt looked around for the truck carrying Chang’s show.

He soon learned that the suitcases were filled with costumes and a few tricks. That was the show.

Springing into action, as he had so many times before, Milt rallied the forces. Bob Towner, Bob Fenton, Bev Bergeron and George Boston were enlisted as assistants and there were always plenty of pretty girls around the newly opened Magic Castle. Some illusions were trucked in from Dante’s ranch. Having spent his entire career presenting a full-evening show, Chang was in no way intimidated by the props and people that now swirled around him. His vast experience and abilities as a showman would serve him well. To a wide-eyed, thirteen-year-old kid, this master mystifier commanded the stage and did not disappoint.

The father of the man I was dining with in Badalona, Spain was named Joan Forns and he also enjoyed a long career performing a Chinese magic act as Li-Chang. As a young man he had seen Fu Manchu’s spectacular show and by 1933 he had assembled his own show and was performing at Circ Olympia in Barcelona. It would appear that most of his career was spent in a circus ring. Europe has always been home to dozens and dozens of small, one-ring circuses and they often featured a magician. Of course Li-Chang’s act had to be carefully constructed to safely work in the round but once that was accomplished, he found plenty of work on the “sawdust circuit.”

It would also appear that the majority of Li-Chang’s career was spent performing in Spain though he did make limited forays into France (at the Moulin Rouge in 1956), England (Bertram Mills Circus 1964), Italy, Portugal, Germany and North Africa.

In 1947-48 Panama’s Chang was appearing in Barcelona, Spain and it was here that the two Changs finally met.

Juan Pablo Jesorum was still performing at the age of 82 when he died in Yucatan, Mexico in 1972. Joan Forns died at age 81 in Barcelona, Spain on January 12, 1998.

Before leaving Badalona I was given a full-color book published by the Badalona Museum in 2004 on the life of Joan Forns: Li-Chang. The text is written in Catalan (a language spoken in the northeast region of Spain) but it is filled with beautiful graphic images from througout Li-Chang’s long career.

Returning home, I checked the usual sources (David Price, Milbourne Christopher) and found no refrence to Spain’s Li-Chang which led me to suspect that I was not the only one who believed in the one-Chang theory.

Having recently examined a number of photos, programs, letters, Christmas cards, newspaper reviews and posters, I now believe that Panama’s Juan José Pablo Jesorum was always called Li Ho Chang early in his career and Chang later on. Spain’s Joan Forns always used the name Li-Chang.

Egyptian Hall has a number of Li-Chang posters subtitled El Demonio Amarillo (The Yellow Demon). I always assumed that these advertised Panama’s Chang but I now believe that they were printed for Joan Forns in Spain (perhaps Valencia) in 1946.

I would like to thank Enric Magoo for inviting us to Spain where this entire mystery was ultimately solved. And thanks also to Joan Maria Forns, son of Li-Chang, who spent years working as an assistant in his father’s show, for a wonderful evening of stories that brought another small piece of magic history into clearer focus.